We went around the room to pick our poems, and I was lucky enough to end up with 12 year old Emma's gorgeous poem, which is a blessing dedicated to her brother Owen (who I later found out is also her bone marrow donor).
Because there was so much imagery in the words, I didn't want to add any additional imagery of my own. Instead, I decided to treat the poem typographically, and call out important phrases in color and wood type.
The first black layer is all hand-set lead type. I was so excited for the opportunity to hand-set, since I usually end up doing things with polymer. It's good to get some hand-setting practice!
The 12 broadsides will all be collated together into a beautiful portfolio designed by Bonnie Thompson Norman. To unify the different broadsides, we were to print the majority of the poster in black, and then add an accent color of either Process Blue, Process Yellow, or Warm Red (of course, we were allowed to do more than two, but we had to do at least one color).
I chose blue because though my instinct was yellow, I knew the blocks of text would probably start to look like bumble bee stripes.
The star in the middle of the last sentence was the biggest one in the shop, so to fill in the white space around it (and add the yellow I so desperately wanted!) I decided to do some post-printing spray paint to add a shine to the star. I had to make a jig to make sure the spray paint would be the same size each time.
Really great project; really great poem. Very inspiring, Nini.
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